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Introduction
The act and place of worship should
be distinguished from the world outside the Church. The Lutheran Confessions correctly state, “The
Church is the congregation of saints, in which the Gospel is rightly taught and
the Sacraments are rightly administered.” (Book of
“No
matter what other activities the church may engage in, public worship is
essential to its life and mission.
Common assembly and worship foster spiritual development and perpetuate
the common faith.” (Reed, The
Lutheran Liturgy, p. 3). As
Christians, we are privileged to come into the very presence of God, into the
Formality in worship reflects that God
is the Most High God. He is far above us. Informality in worship reflects that
the Most High God has comes to us and made his home with us, calling us his
children who are free to intimately address him as their dear Father.
…Formality without informality has two impacts. It confirms the false faith of
the self-righteous fools who are convinced they do worship the right way or it
makes worship a terror, leaving the impression that God is stiff, distant, cold,
and angry. This message crushes and kills the guilty, confirming their
condition as fear-filled hopeless fools.
Informality without formality tends to reduce Jesus to my buddy, just
one of the guys. Treat the Son of God like that and pretty soon the people will
start telling Jesus what he should have taught. They'll start demanding answers
from Jesus on their terms, forgetting that his ways are untraceable and
unfathomable. This kind of service cultivates self-worshiping fools who find
awe in a mirror. (Ibid.)
Liturgical
worship seeks to balance the two. The
liturgy is “a general designation for the officially prescribed services of a
church body.” (Reed, The Lutheran Liturgy, p. 19). It represents the “objective, the universal,
and the eternal rather than the individualistic and the temporal.” (Ibid. p. 23)
As such, it is distinguished from a “worship program” or collective
programs developed by an individual pastor for an individual congregation which
is “necessarily of local and temporary significance.” (Ibid. 19) The liturgy is the “work and possession of
the whole church.” (Ibid. 19)
When
contrasted with non-liturgical worship style, liturgical worship is seen to
focus worship on the objective and unchanging truths of God as compared with
the feelings it may or may not invoke in the individual. Worship should not be viewed from the
individualistic standpoint of “how did it make me feel?”, but rather “does my worship express my awe and
humility in the presence of a holy God?" (Brug) This thought is explained more fully as
follows:
Unlike preaching and teaching,
which are addressed to the congregation, prayer and worship are addressed to
the holy God. Their content and form should reflect that fact. … The spirit of
liturgical worship runs counter to the entertainment-hungry mentality of our
society. Much contemporary worship emphasizes being moved or entertained by
platform-led performances. Contemporary worshipers may at times be confused
with an audience filing into a talk show to be dazzled by the bubbly
personality of the emcee. The character of good liturgy on the other hand, is
that it de-emphasizes individuals and unites worshipers in corporate praise of
a majestic God. It directs less attention to human feeling and to individual
desires and more attention to the majesty and goodness of God. Liturgical
worship recognizes that although God is our truest friend, he is not our
"buddy." He is a holy God, who is to be feared.
Good worship forms, therefore,
preserve a balance between contrasting pairs: God's nearness and God's farness,
law and gospel, the Means of Grace and prayer, listening and confessing,
receiving and thanking. Another such contrast is the need to enter worship with
a welcome and with a warning (read Psalm 95 for an example). In many
contemporary efforts to "make worship more meaningful," the warning
and reverence component of worship is slighted. (Ibid.)
To design
for the worship of the
“How we
pray and worship will affect what we believe, teach, and confess.” So states former synodical president Dr. A.
L. Barry who also compiled seven theses that serve to describe Lutheran
worship:
I - The
main purpose of Lutheran worship is to receive God’s gifts.
II - Lutheran
worship is Christ-centered.
III - Lutheran
worship is a reflection of Lutheran theology.
IV - Lutheran
worship is characterized by reverence and dignity.
V - Lutheran
worship transcends culture.
VI - Lutheran
worship seeks to edify Christ’s holy people.
VII - Uniformity
in worship practices is a blessing.
The arts
employed in the service of the church, of which architecture is one, will or
should necessarily emphasize the theology of that specific church. The following explanation offers a synopsis
of the major Christian theologies:
There are three basic theologies in Western
Christendom, i.e., the Roman Catholic, Lutheran, and the Reformed. The differences lie in teachings regarding
the means of grace. In the broad concept Roman Catholic theology places
greatest emphasis on the sacraments as the means of the grace. Reformed theology is at the opposite end of
the scale, where the preaching of the Word of God is considered the most
essential means of grace with the sacraments of less importance. Lutheran theology falls between these two
extremes, with equal emphasis being placed on Word and Sacrament.
As a rule in a church for a Reformed denomination
the focal point is the pulpit. The
Communion table and choir are secondary and should not, in their design or
placement, overshadow it. The
introduction of an altar, with proper paraments and eucharistic candles would,
in most cases, be considered inappropriate.
In a liturgical church (includes Lutheran), where
the Altar and the Cross symbolize the throne of grace, to which each Christian
has access through Jesus Christ, these elements become the focal point of the
worship area. (Architecture and the Church, 12)
With the
Altar can be added the other liturgical centers whereby the Means of Grace are
availed to worshipers: The Font and the
Pulpit. Through the preaching of the
Word (Pulpit) and the administration of the Sacraments in Holy Communion
(Altar) and Baptism (Font), God offers Himself in very meaningful and
miraculous ways. These three centers
form the focal point(s) of the worship liturgy and therefore the worship space.
In his
work on Lutheran church architecture, “The Application of Lutheran Principles
to the
Therefore,
Dr. Horn developed the following propositions as guidelines to aid in the
design of churches which are architecturally suitable for Lutheran worship:
Propositions for
Discussion
I. The
II. The requirements and character of a
distinctively Lutheran church building are fully known.
III.
A
a. In having but one
Altar;
b. In making due
provision for the preaching of the Word;
c. In providing that
the whole congregation may intelligently take part in the whole Service of
worship;
d. In not making a
separation between a “clergy” and a “laity”;
e. In providing for
the Communion of the people, instead of a Celebration of the Sacrament;
f.
In arranging for a Service whose reality depends on the
presence and participation of the Congregation.
On the other hand, the sanctity of a Roman Catholic Church is guaranteed
by the supposed Presence of Christ upon the Altar, and the Consecration of the
Church.
IV. A
a. Christ is present
in His Word and Sacraments, through them speaks to us, and through them imparts
Himself to us;
b. And the Holy
Communion is not merely a mark of the confession and communion of the people of
God, but is a Sacrament.
V.
It is for these reasons that a place must be accorded the
Word and Sacraments in a
VI.
No place of worship can be arranged to answer the purpose
of both a Sunday School and a Church. … It is manifestly unfitting that the
Altar and the Altarspace (Choir, Chancel) should be used in any way and for any
purpose other than the worship of the congregation conducted by the Minister.
VII.
The Organ and the Choir should be placed at the end of the
church opposite the Altar. (Horn, 79-83)
See also 1.03 Choir.
Summary
of Spaces
|
|
|
Occ. |
SF/Per. |
NSF |
No. |
NSF |
Subtotal |
|
|
|
|
|
|
|
|
|
|
1.0 |
Sanctuary/Worship
Space |
|
|
|
|
|
|
|
1.01 |
Sanctuary |
600 |
12 |
7,200 |
1 |
7,200 |
|
|
1.02 |
Choir |
56 |
9 |
504 |
1 |
504 |
|
|
1.03 |
Baptistery |
|
|
200 |
1 |
200 |
|
|
1.04 |
Sacristy |
|
|
100 |
1 |
100 |
|
|
1.05 |
Working
Sacristy |
|
|
160 |
1 |
160 |
|
|
1.06 |
Narthex |
|
6 |
3,600 |
1 |
3,600 |
|
|
1.07 |
Cry Room |
8 |
20 |
160 |
1 |
160 |
|
|
|
Subtotal: |
|
|
|
|
|
11,924 |
1.01 Sanctuary
General
Description
In the Old Testament, the
“Sanctuary” was the dwelling place of the Lord corresponding to the Holy of
Holies in the
Lutheran worship is liturgical,
that is, there is a “regular, established order”. (Barry, Unchanging Feast, p. 6) Within this backdrop of the liturgy, common
elements are found throughout the church’s history: “Scripture readings, sermons, singing of
liturgical hymns and songs, orders of prayer and petition, and the Lord’s
Supper.” (Ibid., 16). Through the
worship, God comes to and in fact serves His people, and in response, His
people offer Him their worship and praise.
“For Luther, the Divine Service was God’s way of giving His people His
marvelous gifts through the Word and Sacraments and then offering His people
the opportunity to respond to these gifts through praise and thanks.” (Ibid.,
18) The German word for worship, Gottesdienst, or Divine Service, means
“God’s serving us with His Word and Sacraments.” (Ibid., 18) Therefore, the Sanctuary must clearly be
planned with the liturgy in mind. This
is the communal aspect of the worship.
Worship
is also devotional, that is, it is in the worship that God’s people have their
minds and hearts on Him. In this sense,
the Sanctuary should be designed to enhance the personal reflection on God and
His ways, His message, His forgiveness.
“Conscience, instinct, impulse, all urge us to glorify, with the extreme
of our power, the sanctuary of the Lord.”
(Cram, Church Building, p. 7)
The design of the Church, if done properly, should serve to inspire and
to meditate on the things of God.
Architecture and art should be used to “life men’s minds from secular
things to spiritual, that their souls may be brought into harmony with God.” (Ibid, p. 8)
The Sanctuary should be
distinguished from all other spaces in the Church. It is a “witness to God and to Christianity;
a structure which expresses and impresses upon the world the Church’s
unchanging faith; its catholicity, unity and permanence; its noblest, highest
ideals; and full measure of its consecrated ability. It is the place for memorials and sacrifices
of time, thought and means springing from the desire to glorify and exalt God’s
honor.” (Reed, Church Principles in
Church Architecture, p. 5) Both the
transcendence (He is unknowable, mighty, and to be feared) of God as well as
the immanence (He is here among His Church) are two ideas that the architecture
of the Sanctuary should attempt to accommodate.
The Sanctuary itself is
composed of two primary areas, the Nave (where the congregation sits) and the
Chancel (where the action of the liturgy is primarily taking place). The Sanctuary houses the liturgical centers
which include the Altar, the Pulpit, and the Font. While space for the Baptismal Font is
delineated as a separate space (Baptistery) by this program, it is most often
located in the Chancel, although there is valid theological considerations for
locating it at the entrance to the Nave since through Baptism, we are made
believers in the Body which is the Church (see 1.02 Baptistery).
The Chancel should be clearly
visible and probably elevated from the Nave to distinguish that God is at work
through His means of grace that are celebrated within the Chancel. Several major functions occur here and should
be understood in their liturgical function:
Two
types of Altars are generally seen that emphasize either the sacramental or the
sacrificial symbolism of the Altar:
Table Altar or Solid Altar. The
Table form draws more attention to the role the Altar plays in the celebration
of Holy Communion, as the “Lord’s Table”.
The Solid Altar form stresses the sacrificial atonement of our Savior
Jesus Christ, who was Lamb sacrificed upon the altar for the sins of the
world. In no case should the Altar be a
“shelf” which hangs from the wall.
In the
worship service, the Pastor speaks at times to the people on behalf of God and speaks
at other times to God on behalf of the people.
To illustrate this distinction, the Pastor faces toward the Altar when
addressing God and turns to the people when addressing the people. Sometimes
the Altar is pulled away from the wall to allow the Pastor access behind the
Altar so that when addressing the people on behalf of God, the Altar is fully
visible. The Architect should take into
account this and other actions of the liturgy when planning the Sanctuary.
Accessories
to the Altar should be carefully controlled, as it is not a convenient place to
set things, and should not be utilized to hold the flowers. These include the Altar candles, the cross,
the ‘bookstand’ to hold the Orders, and the vessels used for Holy Communion –
the Chalice, the Ciborium, and the Paten, as well as the trays for individual
communion cups. The Architect is to
develop concepts for the Altar that are most compatible with the architecture
of the church, while serving its functional and symbolical requirements.
Note:
The architectural expression of the centrality of the means of grace has
long been a goal of Lutheran church architecture. The following narrative describes the
development of an architectural
feature that is distinctively Lutheran:
The development of
the pulpit/altar (German - "Kanzelaltar") was the natural
result of this emphasis. The pulpit/altar combines the architectural
representations of the means of grace into a single unit which becomes the core
component of the physical environment for the divine service. The pulpit/altar
is considered by many scholars to be the single most important contribution of
Lutheran theology to the history of church architecture. Dr. Harmut Mai argues
that the evangelical pulpit/altar offers a unique opportunity for structuring a
liturgical center in such a way as to give decisive architectural expression to
the focus of the worship of the
Verticality: The Sanctuary should be vertically oriented
to raise the hearts and minds of worshipers to God.
Orientation on the Site: “Whenever possible the building may be
located with reference to the ancient principle of orientation, the chancel and
Altar toward the East; though this is not in any sense essential.” (Reed, p. 8)
Refer to Dr. Horn’s “Propositions for
Discussion” in this section for additional recommendations.
Relationship
to Other Spaces
|
Entrance to the Sanctuary for most
worshipers is through the Narthex.
Therefore, it should be adjacent to the Narthex. The Choir is an extension of the
Sanctuary, most likely in a balcony but might be on the same level as the
Sanctuary. The Cry Room is to provide a temporary
location for parents to sit with small children until they are ready to come
back to worship. As such, it is not a
nursery. The Sacristry and Working Sacristry
should have close or immediate, inconspicuous access to the Chancel. The Font is a liturgical center and
should be located appropriately within the Sanctuary. |
General
Requirements
|
The Sanctuary should be the most
richly appointed space in the Church as a witness to the importance of
worship and faith to both outside visitor and worshipper alike. It should be coherent in its design, and
should strive to make the worshiper aware that in this place he is entering
the presence of God. Distractions to
the purpose of the Sanctuary should not be allowed. |
Finishes
|
Floor: |
Per Design. |
|
Walls: |
Per Design. |
|
Ceiling: |
Per Design. |
Millwork
and Accessories
|
Altar |
|
Ambo/Pulpit |
|
Font |
|
Lectern (if necessary) |
|
Communion Rail |
|
Organ (allocate space/design for
pipe organ) |
|
Pews (with kneelers) |
Technology
Requirements
|
A good sound/voice amplification
system is highly desirable. Control
should be as automated and hands-free as possible (a high-maintenance system
with constant supervision by trained sound personnel should be avoided where
possible). Recommend a suitable
location for the sound board in consultation with acoustical consultant. From a functionality standpoint, the Choir
balcony is recommended. |
|
A video and audio recording
capability of the worship service should be provided. Placement of the equipment and recording
personnel should be inconspicuous. |
|
Convenience outlets should be
placed with seasonal worship services in mind. For instance, convenience outlets should be
located in the Chancel for Christmas trees without the need for excessive
extension cords. |
|
Audio Visual screens in the
Sanctuary are an open question. It is
the opinion of this writer that they are a detraction from the solemnity and
dignity of worship |
|
|
1.02 Baptistery
General
Description
|
The Baptistery is the setting
for the Font. As such it is one of the
primary liturgical centers which holds one of the means of grace. It should be visible, i.e., part of the
Sanctuary, but the precise location is to be determined. A strong rationale exists for its location
in the Chancel, or in the approach to the Chancel, since it is, along with
the Altar and the Pulpit, one of the three primary liturgical centers. An equally strong rationale exists that it
be at the entrance to the Nave of the Sanctuary since, through Baptism, one
receives God’s Holy Spirit and thus enters into a new life with God and into
His Church. Thus the Font should be
highly regarded and tastefully treated as a major component of the design of
the Sanctuary. Stone fonts are not
uncommon. Its importance should in no
way be trivialized, such as making it a “rollaway” furnishing. |
Relationship
to Other Spaces
|
Locate within the Sanctuary and visible
in accordance with its importance as a Means of Grace. |
General
Requirements
|
Baptism in the |
Finishes
|
Floor: |
Per design – coordinate with
Sanctuary. |
|
Walls: |
Per design – coordinate with
Sanctuary. |
|
Ceiling: |
Per design – coordinate with
Sanctuary. |
1.03 Choir
General
Description
|
The Choir is part of the
congregation. As a part of the
congregation, the Choir “confesses the truth given by God through His
Word. It does not dispense the
Word.” So says Dr. Horn in his seventh
proposition for discussion concerning the principles of Lutheran church
architecture. Also, “singing for
entertainment or display is out of place in the church.” This twofold rationale is why Lutheran
churches do not place choirs at the front of the church. The focus of the congregation is to be on
God and His gifts to us, and the Choir should be careful not to displace that
focus. As a part of the
congregation, the part of the Choir in leading the singing is practically
reinforced by its placement behind and in the same direction as the
congregation, when the “music of the choir and organ proceeds in the same
direction as the singing of the people, when coming from behind the
congregation it is the background, and gathers up the singing and holds it
together.” Dr. Horn expounds further
that the Choir and organ do not belong in the Chancel nor to the side of it
in view of the congregation because of its theological implications that do
hold with Lutheran doctrine. “This
custom (locating at the front in view of the congregation) is derived from
the Protestant Episcopal Church, which teaches that there is a distinction
between Clergy and Laity, and does not hesitate to adopt the imitation of a
priestly choir and to throw the Choir between the people and the Means of
Grace. … In a |
Relationship
to Other Spaces
|
See General Description. |
General
Requirements
|
|
Finishes